Slippery Ethics Issues - Open Ended Response

Ken Burns recently produced a $13 million, 7 part, 15 hour, and epic documentary on WWII. The series will start airing on PBS, especially our local KQED station this Sunday night. Burns’ rushed to tell this story, as 1,000 WWII veterans are dying a day. (1) This urgency was one of the leading reasons Burns felt this story needed to be told. Burns’ always intimate, personal stories are successful because they tell a big story with a lot of heart, and endearment. Even with Burns’ mentioning he did not intend to make an all-inclusive story, he is being met with resistance to his film (3). Burns’ retroactively co-produced with Hector Gallan, a prominent Latino filmmaker, 30 minutes of extra footage concentrating on the Latino contributions and achievements during WWII. Latinos initially contacted Burns sponsors, PBS, and through legislation insisting on their addition to ‘The War’ (4). Latinos are planning protests outside of 4 PBS stations in California on Sunday and further protests will happen in Washington D.C. and Boston. These issues was discussed this morning on Forum with Michael Krasny, with substitute hose Dave Iverson. The questions posed in the show are the same thoughts I had during Burns’ speeches at his premiere, and at SFSU campus on September 14th. This will be discussed after some background (5).
As pervious WWII films have concentrated on strategy, commander’s opinions and heroes, Burns’ story focusing on the stories he does best, personal stories. (1). Young viewers, whose previous knowledge of WWII undoubtedly come from sources such as Band of Brothers, Saving Private Ryan, Flags of our Fathers, and other dramatic representations of ‘the greatest war,’ will be able to find truth, heart, vital information and a true educational experience in watching the war. Burns’ The War is an aural assault but could possibly be his greatest achievement (2). The movie’s graphic scenes are intense scenes to digest, but all a part of the necessary story. “‘The War’ invigorates history – in an honest fashion” (2). Burns has always been a historical buff with a creative streak enabling him to tell epic stories such as Jazz, Baseball, Unforgivable Blackness, The Rise and Fall of Jack Johnson, Mark Twain, Civil War, The West and more (6). Burns is an artist, a documentarian, and a mainstay of Public Broadcasting for over 20 years. Not many people would say that Burns is a racist, biased, individual, but one cannot deny that themes of race and discrimination permeate his productions (6, Charlie McCollum). Viewers can take a look at the story of Jack Johnson, an African American boxer that was given little chance at professional boxing because of his race. Now, historically he is revered as one of the best boxers of all time. ‘Baseball’ touched upon the discrimination issues during the 1900s, ‘Jazz’ explored racial profiling, and now ‘The War’ not only discusses how diversity was huge in California after the war, but has now been amended to include the Latino contribution to WWII.
On NPR’s Forum with guest host Dave Iverson, guests Armando Rendon, the chair of the Northern California Defend the Honor Campaign, Hector Gallan, producer and filmmaker, Charlie McCollum San Jose Mercury journalist, and Linda O Bryan, Northern California PBS management, all discussed the Burns’ issue of initially excluding Latinos from ‘The War.” Burns declined his invitation to speak with the program, and I recognize his withdrawal from this issue as he has been dealing with it for over a year now.
Prior to discussing the Forum radio show, viewers need to know a few things.
1. Burns did not intend to make an all-inclusive documentary. 2. ‘The War’ was done for over a year when Burns was contacted by PBS national and his sponsors about including Latinos in his series. Burns amended his film by adding 30 minutes of footage at the end of episodes 1, 5, and 6. I was lucky enough to see the premier of episode 1 at the Letterman Digital Arts Center in the Presidio. 3. As a documentarian, Burns does not have to be objective like a journalist, his art is important, but as a documentarian, he has to recognize that there may be a bigger story. 4. The Hispanic Caucus used leverage in legislation to get recognition for this issue. As of present, I do not have information regarding what sort of conversations between any legislators and the national PBS offices have had in the past concerning this issue. 5. Protests being held in California and other PBS affiliates, a comic strip are being utilized to express Latino influence during WWII and take a stance of education on this issue (4). 6. PBS, especially KQED have now produced a series of Latino involvement in WWII that will air after ‘The War.’ They will also be continuing to produce radio, TV and Internet documentation to archive the contributions of Latinos in WWII. This is in direct response to Defend the Honor Campaign and other protests against what has happened.
The questions posed on Forum, and ones that I have been thinking about were these:
What are the dangers of interests groups changing an artist’s vision?
Should legislation get involved when it comes to Public Broadcasting and equal rights?
The guests on forum expressed the following thoughts:

Armando Rendon, chair of the Northern California Defend the Honor Campaign (5)
He is still concerned that Burns failed to recognize Latinos in WWII contributions. He wants to question not only the integrity of Burns’ filmmaking but all filmmakers. He wants to remind people that you can’t ignore the Latino history. Rendon recognized Burns’ wanted to celebrate American’s diversity with this film, but in order to do that, he wants to include the Latino population. Rendon has states that PBS has a tremendous responsibility to be diverse and they dropped the ball with Ken Burns. Rendon believes if any precedence is being set here, it is that people are independently editorializes their artwork.

Hector Galan, an independent documentary filmmaker and co-producer of ‘The War’ and its portrayal of Latinos expounded the following: (5)
As an artist, he stated that he would not want to be part of what Ken Burns is having to go through. He feels the series is great. It is filled with Latinos images, but we do not hear their voices. He even recognized his father on a ship. He recognizes that Ken Burns did not purposely exclude Latinos, but he feels that Latinos are off the radar for people on the East Coast including PBS. He equates this with why Latinos were added initially. Galan enjoyed working with Burns on the amended pieces and feels the quality of the footage was parallel to the previous footage. Still not 100% satisfied because it is still an add-on or appendage. The show ‘ends’ or fades to black and then the addition comes on screen. Afterward credits roll. Galan feels this situation sets precedence because it defends the honor of Latino filmmakers. He did not have a true opinion on how do you, as an artist; respond to the pressure from interest groups on your sponsors. He does feel that with Ken Burns’s success, that he should be more conscious of opening up his vision. Although he didn’t intend this to be a definitive piece, the story arcs cover many grounds and added another 30 minutes was needed. (5)

Reporter Charlie McCollum had the following to say: (5)
He feels that this incident sets a precedent for interest groups and their rights. He recognizes that the voices of Hispanics are simply not heard, but he worries about the pressure put upon filmmakers. McCollum states that documentarians are not journalists, they are artists that have visions and want to tell stories. (5)

Linda O Bryan, CPB management had the following to say: (5)
This situation has created a debate that needed to be discussed, but worries about the precedent it is setting due to the political issues that may arise. How is this going to deal with Public Broadcasting legislation? She does not know what sort of ‘creative freedoms’ will be compromised with such a precedent of change. KQED’s goal and PBS’ is to stay independent, diverse and produce quality programming. KQED will continue producing material that concentrates on Latino and Asian contributions to the war while archiving all this information on the Web and on Radio. (5)


I have personally seen the first episode and seen Burns speak about his series, his goals and respond to criticism, I commend him for his integrity to make the film, which is possibly the greatest film he has produced, and I commend him for co-producing the extra footage and adding it onto his current film. I understand that he took a lot of pressure from interests groups, national PBS, and the general public to amend his work. He did it in the best way he saw possible, by adding the footage on, without destroying the integrity of the piece he has already produced.
My own personal thoughts are that no legislation or interest groups rights should hinder, manipulate, change, or amend an artist’s vision on his/her project. I do recognize from past experiences working with public broadcasting, that certain criteria need to be followed and certain goals need to be met. From personal experience I have been part of producing series that fed to the masses, and targeting the general public without being perceived as discriminatory. I have had to change piece of a show due to graphic and or critical footage, but I understood the rational behind changing the piece. That situation differed from Burns’s situation. I believe PBS folded in its integrity on this issue. Essentially making Ken Burns add footage and story to his film to diversify the message amends their own independent mindset. I agree with the stations producing their own material in addition to showing Burns’ piece. KQED is producing ‘Soldados,’ ‘Nisei Soldiers’ and ‘The War: Bay Area Stories.’ (2) All these can be perceived as supplemental material to Burns’ piece, but also in response to the Latino protests regarding their exclusion from Burns’ piece. Burns set out to make a story of four towns and their relation to the War and the families in those towns. He did not set out to make a piece about difference races’ involvement with the War. That is a completely different story.
Interests groups have a right to their opinion; they are a strong, integral part of this society’s masses. Their responses of protests and demonstrations are understandable, but I believe there are more constructive ways to getting their message across. The cartoonist expressing his feelings behind his cartoon, Galan producing Latino pieces form Texas, and the possibility of making their own Latino WWII pieces are all great ideas and financially viable productive and constructive options.
If interests groups get too involved with manipulating artists’ visions, we will be left with no independent thought, and no chance of people being able to express themselves without hindering someone else. I recommend that people produce their own docs in response to anyone else’s.
I also believe that legislation should not get involved by amending free speech rights, or manipulating PBS, which get funding from the public, to put pressure on their independent producers. Legislation that requires independent producers to follow criteria for diversification is Orwellian and dictatorial. If this happens, I believe less and less independent production will occur and we will be left with no voice. If a society is left without opposing voices and differing opinions, we will be robots achieving a goal none of us has set for ourselves.
Media’s responsibility is to inform, educate and create conversations. This piece alone will do that, but should issues overshadow the quality of the piece? That is a bigger issue.
This is a sticky issue with no resolve, but one needs to recognize that Burns has created a masterpiece and this issues of ‘excluding’ Latinos was not on purpose, it was just not his initial vision.
Any recommendation or comments are sincerely requested.





(1) http://www.usatoday.com/life/television/news/2007-09-20-the-war_N.htm
(2) http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/09/21/DD1SSA04H.DTL
(3) Burns personal communication, SFSU University Friday, September 14th, and Movie Premiere, Letterman Digital Arts Center, Friday, September 14th.
(4) http://www.chron.com/disp/story.mpl/ap/tx/5145953.html
(5) Forum with Michael Krasny
(6) http://www.florentinefilms.com/ffpages/FFIntro-frameset.html


Other interesting Web sites.
On the Net: Baldo: http://baldocomics.com/

Defend the Honor: http://www.defendthehonor.org

The War: http://www.pbs.org/thewar/